The Music of the Lord of
the Rings Films
Interview:
Doug Adams
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Book
Review |
Rarities CD Review
Likely the most
appreciated, analyzed, and
awarded scores of the new
millennium has been HOWARD
SHORE'S epic, original
score for Peter Jackson's
LORD OF THE RINGS TRILOGY.
Years after the some of
the most complete
soundtrack releases ever,
comes the lost awaited
book and CD release, THE
MUSIC OF THE LORD OF THE
RINGS - A Comprehensive
Account of Howard Shore's
Scores. This unique
volume was researched,
compiled and written by
author DOUG ADAMS
alongside Howard Shore and
his creative team.
The result is an even more
detailed look at, not only
the music, but it's
evolution.
Tracksounds is proud to
bring you this in-depth
look "behind the score" of
The Lord of the Rings. In
this edition:
- SoundCast Interview with
author Doug Adams
- Book review by Peter
Nickalls
- Rarities CD review by
Peter Nickalls
- Select photos from the
Signature Session in
London.
Interview: Doug Adams:
Chronicle of the Rings

CC:
This time we're talking to DOUG ADAMS, who's an
author and musicologist, and author of the upcoming
and -might I add- highly-anticipated book titled:
THE MUSIC OF THE LORD OF THE RINGS FILMS. The book
is slated to be released by Carpentier and Alfred
music publishing, first in the European Union, on
September 28th, and for the rest of us poor suckers
in the U.S. and elsewhere worldwide, on October 5th
, 2010. DOUG, welcome to the SoundCast.
DOUG ADAMS: Thanks, CHRIS. I think that was my first
official introduction as an author, so it was a
little weird, but thanks.
CC: Well, I'll be in Wikipedia somewhere. [laughs]
I'll be some trivia somewhere in your life, as I am
in many people's lives. Let me just describe this
book a little bit. It's a 416-page full color
volume, that has a forward by HOWARD SHORE, an
introduction by the LORD OF THE RINGS screenwriter
and producer FRAN WALSH, original sketches by JOHN
HOWE and ALAN LEE; it has lots of images from the
films, an audio interview with you and HOWARD SHORE,
and of course, it has that rarities archive, a CD
that has 21 tracks of previously unreleased music
created for the films. This is a pretty “epic”
package, I would say.
DOUG ADAMS: [laughs] Well, it was an epic
production, so I'm glad we ended up with something
at the end, but it feels like all of our efforts
were well spent.
CC: I understand that HOWARD SHORE himself picked
you to do this project. How did that go, was it a
phone call, out-of-the-blue email saying “Hey, can
you do this mammoth project”?
DOUG ADAMS: My first exposure to the professional
world of film music was kind of in your shoes, doing
a lot of interviews with people. I was a writer and
still do occasionally write for FILM SCORE MONTHLY
magazine. I was sort of the go-to guy for the HOWARD
SHORE pieces. HOWARD and I did our very first
interview on COPLAND, the STALLONE film. We got
along very well; it was one of those things where
you do the interview and then sit and chat for
another hour about this and that, and the state of
the musical and film worlds. So he and I did a
number of interviews over the years and I think it
was in '01 that I did an interview with him on the
FRANK OZ film, THE SCORE. This time, I did know that
HOWARD SHORE was signed-up to do LORD OF THE RINGS,
but you know, as an interviewer you try to keep it
on target. You don't want to blurt out, “Are you
doing LORD OF THE RINGS?!” [laughs]
CONTINUE
THE INTERVIEW HERE
Review:
The Music of the Lord of the Rings - The Rarities
Archive (CD)
Review by Peter Nickalls
THE
LORD OF THE RINGS - RARITIES ARCHIVE CD is included
with the newly released THE MUSIC OF THE LORD OF THE
RINGS FILMS book (see my review here) and contains
21 unreleased music tracks, composed by HOWARD SHORE
as well as a conversation between Shore and author
DOUG ADAMS. The final chapter of the book provides
fascinating commentary on the music found on this
remarkable disc.
d theatrical versions and even
trailer music, all of which provide a fantastic
insight into the process of creating and developing
the music for this epic trilogy. From the very first
piece Shore wrote for the films (a synthesized
mock-up of Shire material) through to a full nine
minute alternative score for the Ring's destruction,
this CD is a veritable treasure trove for fans of
The Lord of the Rings music.
CONTINUE
THE REVIEW HERE
Review:
The Music of the Lord of
the Rings (Book)
Review by Peter Nickalls
The
Music of The Lord of the
Rings Films must be one of
the most highly
anticipated film music
books ever written, and
after years of us all
following author Doug
Adams' blog, it is finally
here. The book is a tome
of epic proportions and an
outstanding achievement,
intricately crafted and
beautifully presented.
This is almost certainly
the first book of its
kind: it examines the
music of one film trilogy
in painstaking detail
through musical analysis,
score extracts, pencil
sketches and complete
vocal texts.
Last night (September
27th) I had the pleasure
of attending the worldwide
launch of the book with
Doug Adams, composer
Howard Shore and designer
and art director Gary
Day-Ellison at Chappell of
Bond Street in London. At
the session Adams and
Shore talked about the
challenges they faced
creating a book about
music composed for a film,
itself based on another
book! They also discussed
how the music has now
taken on a life of its
own, independent of the
films, whilst Shore
revealed that a study
score might be "a while"
coming and that he was
looking forward to working
on The Hobbit. Following a
Q&A session, the three men
signed copies of the books
and two people won tickets
to see the live musical
performance of Return of
the King at the Royal
Albert Hall this week.
The book itself clocks in
at an impressive 401 pages
and is divided into three
main sections: 'Themes',
'The Annotated Score' and
'The Recording Sessions'.
However, those who have
pored over the Complete
Recordings booklets and
the PDF Annotated Scores
(and if you're reading
this there's a strong
chance you will have) will
feel they have read much
of it before. Whilst Adams
does mention on his blog
that the book contains
these materials, I was
surprised by how much
content was already
familiar to me.
CONTINUE
THE REVIEW HERE
Peter
Nickalls is a recent music
graduate from Cambridge
University and is just
starting out as a composer for
media. Visit his website:
www.peternickalls.com |
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